Movies
Industrial Chain Behind the
Box Office
LUO Nan 1155081715
The
phenomena in movie industry of “幽灵场”, which
means screening movies without audience in midnight and “Faking Box Office Figures” are not
strange for audience in China
since 2015, when the movie “Monster Hunt” tried to break the global box-office record of “Fast &
Furious 7” with these two cheating methods. Then, some other movies were exposed the
scandal of cheating in box office, and more people became aware of
cheating when they see the movie on the ticket is not the one they choose, or a
movie being showed again and again in the midnight when few people will go to movies in
that time. After “Monster Hunt”, “Ip Man”, “I Am Not Madame Bovary”, and many
other famous movies were accused of cheating in box office, which already has become a special phenomenon
in China. With the phenomenon appearing, the problem of industrial
monopoly, especially the industrial chain monopoly, stands out.
The
movie industrial chain is composed of four components, including production, distribution, screening, and
post-market, where producers, publishers, and cinemas play essential roles in
former three procedures, respectively. One unique
situation in China is that the producer, publisher, and cinema can be one
company. For example, Wanda can invest or produce a movie, and publish it to
its own cinema, which means it can finish the whole procedure and control consumption chain by
itself. This model can
reduce a lot of cost, creating convenience and new profits at
same time. Not only Wanda, many other big companies also
join in the action of developing business to cover all parts of the movie
industrial chain. For example, the China Film Group Corporation (known as 中影)
was firstly established as a producing company, then it won the qualification
to release movies and became the only company that could
import foreign countries. Finally, 中影 developed
its own theaters, holding four brands a 中影星美、中影南方新干、中影数字and
海南蓝海 and also buying shares of
北京新影联, 江苏东方,
and etc. The total box office has reached 6.8
billion in 2013, taking over 31.2% of the country’s total box office. To step
into other parts of the industrial chain, small companies usually cooperate with
other companies in other parts they want to enter,
and the method can be unstable to some extent. However,
for big companies with strong financial background, they can either establish a
new department or a sub-company to take care of
new business, or buy other companies and take over their business.
The advantage of the second approach is that an
existing company always has a good
foundation in the market. One great example is that Wanda bought AMC and
Legendary Pictures, two big company in Hollywood, which has aroused a hot
discussion in movie industry.
However, the industrial condition in America is different.
Regulated by antimonopoly
laws, the producing and distribution company of movies
can be the same; however,
they cannot own cinemas. Hollywood film moguls have rights of cinemas, which means
if the producer and distributor want to cheat in box office, they must collude with
a cinema, and get back some money through proper channels as the certain
proportion of box office revenue. Thus, even buying fictitious box office may also exist in America, the
producer and distributor won’t cost much on it. However, in
China, buying fictitious tickets is just
like giving money to the companies themselves because the cinema belongs to
them. Besides, the cinema can arrange the best time and rooms,
and make more screenings for their
own movies, which means squeezing the existence space of other films,
especially those lacking of strength of background.
In the view of vertical integration, big
companies get more profits and become stronger, while building a high entry
barriers for new comers. Meanwhile, small companies are
facing a difficult situation to survive in the fierce competition. Besides, in
monopoly industry, it is very easy to do some illegal activities, such as money laundering, which is
hard to be supervised and regulated. To solve the problem, the
judgement of Paramount Pictures’s case in antimonopoly law is a good lesson for all, which
judges the vertical monopoly as illegal. Unfortunately, a piece of news shows the situation is going
harder - Wanda have bought Mtime.com, a famous website for
audience to discuss and evaluate movies which is similar with IMDb. Mtime.com
is an important part of post-market, the fourth components of movie industrial
chain. Thus, it is worth worrying that a producing company which takes over
distribution and cinema may even controls
people’s attitudes towards movies. How can we do if the score
produced by the public may be
fake?
Reference:
2.国内电影产业应防止形成垄断格局
Hi Luo Nan,
ReplyDeleteThank you so much for giving us an overview of the movie industrial chain in China and America which helps us better understand how a movie comes into being and how the departments work together to make profits.
I strongly subscribe to your standpoint that film market in China tends to become monopoly, nearly overwhelmed by big corporations like Wanda, Huayi Brothers, Bona Film Group Limited and China Film Group Co. In order to earn more box office and market share, it’s very common to see company mergers and acquisitions. Since you mentioned Wanda purchased AMC and Legendary Pictures, I notice that on August 1st last year Jianlin,Wang pronounced they need to stop buying them to adjust their own resources and protect their shareholder’s interests.
You can take a look at the article link:
http://finance.sina.com.cn/chanjing/gsnews/2016-08-02/doc-ifxunyya3006010.shtml
For those small movie companies, merger is one of the way out. I consider the other two approaches that may help them to survive. For one thing, they can start crowd funding for good stories or scenarios, such as The Monkey King (2015), Big Fish Begonia (2016). For another, it’s essential for them to make a good use of the Internet, making hashtag and topics on social media platforms to gain more attention, such as Wechat, Weibo, Zhihu and Douban. KOLs and movie critics also play a significant role in building good reputation.
In addition, they need to figure out who their target audiences are and what kind of personalities they have and try best to emotional resonate with them. For instance, Internet IP novels have been heated discussion in recent years. The target consumers are youngsters born in 90s who read a large number of romantic or fiction novels when they were young, such as My Sunshine (何以笙箫默), The Lost Tomb(盗墓笔记).
Here is another short article I want to share with you:
https://www.fingerdaily.com/thread-422103-1-1.html
Since nowadays people become the Internet heavy users, online video platforms like Aqiyi have earned plenty of users. Pay for membership is one of their most profitable business model. Those platforms purchase the copyright of films and make & share money through online click rate and page view. Take Monk Comes Down the Mountain 2015 directed by Kaige Chen for example. The cost of the film is 280,000 RMB and earned almost 6 million RMB in return when broadcasted on Aqiyi platform. Hence, cooperating with online video platforms is another chance to survive in the fierce competition movie market.
As far as I am concerned, cheating in box office (e.g. Monster Hunt 2015) is the least rational way to get audiences’ attention because people will finally find out and make a genuine feedback about the movie. What really matters is whether the content satisfies the public, as content is king (e.g. Mr. Donkey 2016). Excellent actors & actresses, sound quality and special effect are important as well.
LI,Wei 1155082136
Thanks for your comment and sharing! I also strongly agree with you one good way for small company to survive is high-quality content, and I think content is much more important for both big and small company. However, owning to space constraints, I can only analyze industrial chain by starting from a hot phenomenon. Thanks again for your suggestion!
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